Texts on photography making you think photography - as system and function of the natural, scientific, and social worlds, rather than as an art or practice. Below a more extended summary can be … inkjet, print. Would love your thoughts, please comment. Loved it. But what appear to be their criteria for going beyond the camera nevertheless remain subordinate to the camera’s program. Redundant photographs are not of interest in this study; photographers in the sense intended here are in pursuit of possibilities that are still u unexplored in the camera’s program, in pursuit of informative, improbable images that have not been seen before.” (p. 37), As discussing a decision making process: “As consequentially, no decision is really ‘decisive’, but part of a series of clear and distinct quantum-decisions, likewise only a series of photographs can testify to the photographer’s intention. This book is not about photography - it is a political manifesto about freedom in a programmed world. Click here for a good wikipedia overview about Flusser and in particular a short essay about this book. Flusser showed how the transformation of textual into visual culture (from the li. This book changed my life. “This, I think, shows what being free means. He has glimpsed the magical ability of a photographic image could destroy the one-dimensional feature, linear, of the texts. This little book proved it to the masses. VIL&M FLUSSER A philosophy of photography is necessary because it is the only form of revolution left open to us. Towards a Philosophy of Photography: Flusser, Vilém: Amazon.sg: Books. , 2000. Everyday low prices and free delivery on eligible orders. Many photographers therefore also prefer black-and-white photographs to color photographs because they more clearly reveal the actual significance of the photograph, i.e. This phenomenon enhanced by two important aspects, closely linked to the photo: ease of use and availability of the photographic apparatus and distribution capacity and access to the photographic information. He died in 1991. Flusser, Vilem, 1920-1991 Towards a philosophy of photography Photography - Philosophy 1. They submitted the texts to a supplementary or secondary role. The first being the invention of linear writing and the second the invention of technical image making, initially through photography. Tide 770.1 ISBN 1 86189 076 1 ductoryNote 7 The Image 8 | The Technical Image 14 The Apparatus 21 The Gesture of Photography 33 The Photograph 41 [ The Distribution of Photographs 49 The Reception of Photographs 57 1 Th e Photographic Univers 65 Flusser aims to provide enough to get us started, and like all philosophies, it’s intended to just be a starting point. Interesting attempt to build a theoretical framework around photography, sometimes gratifying, but not always successful. Just as almost everyone has learned to write and produce texts. Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. Flusser opens with a bold hypothesis that there have been two fundamental turning points in human culture. Our society is saturated with these images, which leads us to believe in the images as reality itself. Herein lies their peculiar beauty, which is the beauty of the conceptual universe. He speaks at length about the ‘apparatus’ of the camera as being a tool that has it’s own ‘program’ that takes precedence over human control. Flusser depicts information technologies that produce redundant and non-original images, as well as political and economic systems that are themselves apparatuses, as entities that use humans for their own evolution and success rather than vice versa. If you wish to receive stimulating speculation towards thinking photography as abstract category, Flusser is your thought-feeding-machine. Fascinating. He describes two historical paradigm shifts: the invention of writing, which he situates in the second millennium BCE and the invention of photography in the 19th century. Buy Towards a Philosophy of Photography by Flusser, Vilém (ISBN: 9781861890764) from Amazon's Book Store. Refresh and try again. … But anyone who an take snaps does not necessarily have to be able to decode photographs. This wikipedia entry includes the follow quotation: Flusser developed a lexicon of terms that have proven influential and that continue to be useful for thinking about contemporary photography, digital imaging technologies and their online uses. The photographer in the sense intended here is, on the other hand, interested in seeing in continually new ways, i.e. “The task of a philosophy of photography is to reflect upon this possibility of freedom - and thus its significance - in a world dominated by apparatuses; to reflect upon the way in which, despite everything, it is possible for human beings to give significance to their … Vilém Flusser towards a philosophy of photography. Wow. The thinking and writing here is in the stratosphere. There are no discussion topics on this book yet. This little hypothesis of Flusser's somehow manages to put to work most of my prior studies in philosophy, without even making a single citation. Flusser, Vilem. Hello Select your address All Hello, Sign in. Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. One of the major terms in this work, the apparatus is a complex system that goes beyond the physicality of the device. Click here for a good wikipedia overview about Flusser and in particular a short essay about this book. (German) Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. A step on the path to photographic literacy. Print. If you enjoyed this book, I highly recommend the companion text, Into the Universe of Technical Images. Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. Moholy-Nagy stated, “… that those who are ignorant in matters of photography will be the illiterates of tomorrow.” (p. 90), “The aim of any single photograph is — as Adorno says — the disclosure of the ‘logic of being produced’. Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. These ideas are explored in great detail in the book that I find extremely interesting to read and think about. Twists, turns, red herrings, the usual suspects: These books have it all...and more. Interesting analysis of our relationship with and understanding of images in a post-photography historical context. If you want to read about photographers or particular photographs, read others. These include: the ‘apparatus’ (a tool that changes the meaning of the world in contrast to what he calls mechanical tools that work to change the world itself); the ‘functionary’ (the photographer or operator of the camera who is bound by the rules it sets); the ‘programme’ (a ‘system in which chance becomes necessity’ and a game ‘in which every virtuality, even the least probable, will be realized of necessity if the game is played for a sufficiently long time’; the ‘technical image’ (the first example of which is the photograph, with its particular kind of significant surface that looks like a traditional image but harbors encoded and obscure concepts that cannot be ‘immediately’ deciphered). Towards a Philosophy of Photography. For no single photograph is actually decisive; even the ‘final decision’ finds itself reduced to a grain in the photograph.” (p. 39), “Black-and-white photographs embody the magic of theoretical thought since they transform the linear discourse of theory into surfaces. Vilem Flusser was born in Prague in 1920. Anyone who is able to write can also read. Although he might not very systematic when describing the notion of information and value inside a post-industrial object, the way he explores the idea of technical images is pretty much crucial to understand Benjamin's reproductio. And particularly, his ideas on the apparatus are wonderful thoughts. This book is the reason why a raven is like a writing desk. Find books An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Let us know what’s wrong with this preview of, Published Exposing the photograph (technical image) as further removed from reality than the linear text - despite seductive surface appearances to the contrary. For us to see why the amateur photographer can be a photographic illiterate, the democratization of the making of photographs has to be considered — and at the same time, a number of aspects of democracy in general have to be addressed.” (p. 57), “Amateur photographers’ clubs are places where one gets high on the structural complexities of cameras, where one goes on a photograph-trip — post-industrial opium dens.” (pg. LibraryThing is a cataloging and social networking site for booklovers In this sense, all photographers’ criteria are contained within the camera’s program.” (p. 36), “It is true that one can still take new images, but they would be redundant, non-informative images, similar to those one has seen before. producing new, informative states of things.” (p. 59), “In the course of the foregoing attempt to sum up the essential quality of photography, a few basic concepts come to light: image – apparatus – program – information. Start by marking “Towards a Philosophy of Photography” as Want to Read: Error rating book. He has glimpsed the magical ability of a photographic image could destroy the one-dime. Towards a Philosophy of Photography Vilem Flusser REAKTION BOOKS . The first being the invention of linear writing and the second the invention of technical image making, initially through photography. , 2000. Each one of the basic concepts thus contains within it further concepts. This precise phenomenon seems to me to be one of the primary issues of contemporary life that is only now becoming an undeniable problem on the scale of an epidemic. Over the past couple of days I have read Vilem Flusser's book Towards A Philosophy Of Photography. That Flusser was already approaching the issue in 1983, and in such a way that nothing feels outdated in 2019, is incredible. Flusser's anti-quote bravado and originality is refreshing,vexing, and at times depressing...it changes how you see everything. The central idea of an "apparatus," tied to mechanical devices, social systems, and "programmed" with every possibility already inherent in the device itself... it's one of a number of intriguing conceptual turns taken by Flusser. In short: Photographers’ intentions are to inform others and through their photographs to immortalize themselves in the memory of others.” (p. 45-46), “As an object, as a thing, the photograph is practically without value; a flyer and no more.” (p. 51), “In theory, information can be classified as follows: into indicative information of the type ‘A is A’, into imperative information of the type ‘A must be A’, and into optative information of the type ‘A may be A’. Flusser also brings to mind Foucault in the sense that his philosophy allows for only the most elusive and problematic possibility of human agency. [Das XX. For Flusser this potential/ possibility is located in what he calls “experimental” photography in which a photographer intentionally subverts an apparatus and thus creates a kind of free space. Black-and-white photographs are more concrete and in this sense more true: They reveal their theoretical origin more clearly, and vice versa: The ‘more genuine’ the colors of the photograph become, the more untruthful they are, the more they conceal their theoretical origin.” (p. 44), “Reduced to basic elements, photographers’ intentions are as follows: first, to encode their cncepts of the world into images; second, to do this by using a camera; third, to show the images produced in this way to others so that they can serve as models for their experience, knowledge, judgment and actions; fourth, to make these models as permanent as possible. A 'philosophy' book without references. That photographers are playing a game of operating the camera, but always within the programmed rules of the apparatus. Towards a Philosophy of Photography 1984 | Flusser Vilem | download | Z-Library. In here, Flusser was madly obsessed by the black-box of apparatuses—which means, I think, an interesting starting point to understand techne, or in that matters, technology. He diagnoses image-based media as a technological mediation that obscures our perception of reality while also presenting itself as an unbiased document of reality. Towards a Philosophy of Photography [Flusser, Vilem, Flusser, Vilm] on Amazon.com. Towards a Philosophy of Photography According to Flusser, we’re caught, it seems, in a Kafkaesque condition of non-freedom, swallowed up so to speak by our apparatuses. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Towards a Philosophy of Photography has ratings and 27 reviews. Vilém Flusser was a philosopher born in Czechoslovakia. But don't forget to free yourself by playing against machines! 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